11
Ibid., 2-199-15.
12
Genealogía, II, 245.
13
C. Pérez Pastor, Documentos para la biografía de D. Pedro Calderón de la Barca (Madrid, 1905), 1, 189-90.
14
Mariano Grau, El teatro en Segovia (Segovia, 1958), p. 38.
15
J. E. Varey and N. D. Shergold, Teatros y comedias en Madrid: 1651-1655 (London, 1973), 235-8. See also Hannah Bergman, Luis Quiñones de Benavente y sus entremeses (Madrid, 1965), 475-6.
16
Archivo de Palacio, Madrid, file 666.
17
For another example of Escamilla's style as an author, see his poem to D. Sabo Mellini, papal nuncio at Madrid, in Edward M. Wilson and C. C. Smith, «Un manuscrito español de la Biblioteca de St Catharine's College de Cambridge», Revista de Archivos, Bibliotecas y Museos, 76, 2 (julio-diciembre 1973), 507. The poem, however, is unfortunately not in the hand of Antonio de Escamilla. I am grateful to Professor C. C. Smith for allowing me to examine this manuscript.
18
This article was read by Professor J. E. Varey of Westfield College, London, and Dr D. W. Cruickshank of University College, Dublin. I am grateful to both of them for their kind and constructive criticism. I also wish to thank the Director of the Biblioteca Nacional of Madrid for permission to reproduce folios 76r and 97r of the partly autograph MS of Cada uno para sí.