1
Gustave Flaubert, Madame Bovary (Paris: Club de l'Honnête Homme, 1971), p. 248. For the comments of the prosecutor on this passage see p. 373.
2
Ithaca: Cornell University Press, 1982, p. 140.
3
Gabriel Miró, Obras completas, 4th ed. (Madrid: Biblioteca Nueva, 1961), p. 1370. Miró's own account of the trial, quoted below, is given in his «La justicia en España. La potestad de un juez», Diario de Alicante, 10 May 1917, p. 1. Extracts, not very reliably transcribed, are in Vicente Ramos, Gabriel Miró (Alicante: Instituto de Estudios Alicantinos, 1979), pp. 251-53.
4
In addition to LaCapra, pp. 126-49, see Roy Pascal, The Dual Voice: Free Indirect Speech and its Functioning in the Nineteenth Century European Novel (Manchester: Manchester University Press, 1977) in general on FIS and pp. 9-10 on Bally.
5
Letter dated 16 April 1917 in family archive. I am grateful to Doña Olympia Luengo Miró for permission to use the archive.
6
«Gabriel Miró, Adolf von Harnack, and the Meaning of Jesus», Romance Quarterly 34 (1987), 369. See also Edmund L. King, «Introduction», in Gabriel Miró, El humo dormido (New York: Dell Publishing, 1967), pp. 49-51, and John R. Kirk, «Questions of Originality: The Use of Sources in Figuras de la Pasión del Señor», in Critical Essays on Gabriel Miró, ed. Ricardo Landeira (Ann Arbor: Society of Spanish and Spanish-American Studies, 1979), pp. 66-83. Both Airozo's and Kirk's articles are based on important doctoral theses: Airozo, «Religion, the Bible and Ideology in the Works of Gabriel Miró», Michigan, 1984; Kirk, «The Religious Aesthetic of Gabriel Miró», Princeton, 1976.
7
A useful guide, even though it primarily concerns British Lives, is Daniel L. Pals, The Victorian «Lives» of Jesus (San Antonio: Trinity University Press, 1982).
8
Obras completas, p. 1236. Henceforth abbreviated OC.
9
Compare Matthew, VIII, 14-15, Mark, I, 31, Luke, IV, 38-39.
10
«Conciencia» in OC, pp. 1227-30; Gijón lecture in Vicente Ramos, Literatura Alicantina (Barcelona: Alfaguara, 1966): see pp. 309-11.