Dos romances anónimos del siglo XVI (Madrid: Centro de Estudios Históricos, 1917).
The article of Daniel Devoto, «Amadís de Galia», BHi, 74 (1972), 406-35, deals with the French translations, and the book of Hilkert Weddige, Die Historien vom Amadis auss Franckreich (Wiesbaden: Steiner, 1975), with the German ones. I have reviewed the latter in JHP, 1 (1977), 157-58.
Madrid: CSIC, 1959-69, in four volumes (Volume I, «reimpresión aumentada», 1971); the reliability of Volumes III and IV of this edition has been questioned by Roger M. Walker, RPh, 33 (1980), 448-59. (There are earlier fragmentary texts, of course: the fragments identified by Antonio Rodríguez-Moñino, «El primer manuscrito del Amadís de Gaula», BRAE, 36 [1956], 199-216, included in his Relieves de erudición [del Amadís a Goya] [Madrid: Castalia, 1959], pp. 17-38, and now a claim by Manuel Rodrigues Lapa that there exists in Madrid a thirteenth- or fourteenth-century fragment of the romance in gallego-portugués, which he has not seen [«A questão do Amadis de Gaula no contexto peninsular», Grial, No. 27 (1970), 14-281).
«The Amadís Question», Speculum, 25 (1950), 357-66. See also Place's comments in his edition, II, 585-99.
«Fictional Evolution: The Old French Romances and the Primitive Amadís Reworked by Montalvo», PMLA, 71 (1956), 521-29.
«Montalvo's Outrageous Recantation», HR, 37 (1969), 192-98, answered now by Eloy R. González and Jennifer T. Roberts, «Montalvo's Recantation, Revisited», BHS, 55 (1978), 203-10.
«Amadis of Gaul, Wales, or What?» HR, 23 (1955), 99-107, «El Amadís de Montalvo como manual de cortesanía en Francia», RFE, 38 (1954), 151-69, «The Edition of the Amadís of Saragossa, 1521», HR, 21 (1953), 140-42, «¿Montalvo autor o refundidor del Amadís IV y V?» in Homenaje a Rodríguez-Moñino (Madrid: Castalia, 1966), II, 77-80.
Pierre Le Gentil, «Pour l'Interprétation de l'Amadis», in Mélanges à la mémoire de Jean Sarrailh (Paris: Centre de Recherches de l'Institut d'Études Hispaniques, 1966), II, 47-54, María Rosa Lida de Malkiel, «El desenlace del Amadís primitivo», RPh, 6 (1953), 283-89, reprinted in her Estudios de literatura española y comparada (Buenos Aires: Eudeba, 1966), pp. 149-56, Erilde Reali, «"Leonoreta fin roseta" nel problema dell' Amadís de Gaula», AION-SR, 7 (1965), 235-54, and others (see section B of my bibliography). Juan Bautista Avalle-Arce's paper «El Amadís primitivo», was published in the Actas del Sexto Congreso Internacional de Hispanistas (Toronto: Department of Spanish and Portuguese, University of Toronto, 1980), 79-83.
Samuel Gili Gaya, «Las Sergas de Esplandián como crítica de la caballería bretona», BBMP, 23 (1947), 103-11, and José Amezcua, «La oposición de Montalvo al mundo del Amadís de Gaula», NRFH, 21 (1972), 320-37. Gili Gay a is also the author of a lecture, «Amadís de Gaula» (Barcelona, 1956).
The first volume (Volume II of the set Studi sul Palmerín de Olivia) contains the Introduzione al Palmerín de Olivia of Guido Mancini (published in Spanish translation in the volume Dos estudios de literatura española [Barcelona: Planeta, 1970], pp. 7-202) and the second volume consists of Saggi e richerche. The three-volume set (text, and two volumes of studies) was published in Pisa, 1966, and is numbers 11-13 of the series Pubblicazioni dell'Istituto di Letteratura Spagnola e Ispano-americana dell'Università di Pisa.