11
McGann, Textual Criticism, 75. As Sutherland points out, McGann's emphasis on social and material aspects of book production implicitly aligns him with Marxist critics. His view has not been kindly received by such orthodox authorities as Tanselle and Bowers. John Sutherland, «Publishing History: A Hole at the Centre of Literary Sociology», Critical Inquiry 14 (1988) 574-589.
12
See Ascensión Pacheco-Bethelot, «La tercera Jornada de La dama duende de Pedro Calderón de la Barca», Criticón 21 (1983) 49-91.
13
See Don W. Cruickshank's article, «Notes on Calderonian Chronology and the Calderonian Canon» in Estudios sobre Calderón y el teatro de la Edad de Oro, ed. F. Mundi Pedret (Barcelona: PPU 1989): 19-36.
14
John Varey, Address at the AISO Congress, Madrid, 1987.
15
«Dos refundiciones Tirsianas: 'Amor no teme peligro' y 'Los balcones de Madrid'», in Homenaje a Tirso (Madrid: Revista Estudios, 1981) 133-155.
16
William Shakespeare, The Complete Works, eds. Stanley Wells and Gary Taylor. (Oxford: Clarendon Press, 1986), 1025, 1063.
17
«What is a Text?», Research Opportunities in Renaissance Drama 24 (1981) 6. Cited in McGann, n. 5, p. 130.
18
«A New Approach to the Critical Constitution of Literary Texts», Studies in Bibliography 28 (1975) 237.
19
Ibid., 240.
20
Ibid., 258.